Auditioning for upcoming productions

We kindly request that you thoroughly research the show and your desired character(s) prior to auditions. Familiarize yourself with the story, themes, and context of the production, as well as the specific motivations, background, and relationships of the character(s) you intend to portray.

Why this matters

- It demonstrates your commitment to the craft and respect for the creative process.

- It allows you to make informed, authentic choices during your audition.

- It helps our directors see your potential alignment with the role.

How to prepare

- Watch recordings of past productions (if accessible).

- Explore the show’s historical/social context or source material.

- Develop a clear understanding of your character’s journey.

C A S T I N G
ELECTION DAY by Josh Tobiessen
Directed by Paula Keenan

Saturday, July 11, 2026 - 12pm
Golden Gate Community Centers’
Joan Jenks Auditorium
4701 Golden Gate Parkway 34116

CASTING

Adam
Male, late 30 - 40s
Energy: Neurotic, earnest, spiraling

Adam is the engine of anxiety in the play. He wants to do the right thing—morally, politically, socially—but he’s paralyzed by overthinking and fear of judgment. His arc is a slow unraveling.

Casting notes:
Needs razor-sharp comedic timing rooted in truth (not mugging)
Should be likable even when making frustrating choices
Strong with escalating panic and verbal spirals
Think: “good guy who becomes his own worst enemy”

Brenda
Female, 30s–40s
Energy: Controlled, confident, intimidatingly competent

Brenda is grounded, decisive, and unapologetically direct. She often acts as a counterbalance to the chaos around her—but she has her own rigidity and blind spots.
Casting notes:
Actor must command the room immediately
Dry humor lands best here—underplay is key
Should feel like someone used to being right
Not cold—just highly controlled
Clark
Male, 30s–50s
Energy: Pleasant, agreeable, quietly conflicted
- Clark is the “nice guy” who avoids confrontation at all costs. He’s likable, but his passivity becomes a problem. Often unintentionally funny.
  Casting notes:
  Needs subtle comedic instincts (this role sneaks up on you)
  Must balance warmth with underlying discomfort
  Avoid playing him as dumb—he’s emotionally avoidant, not unintelligent
  Great role for an actor who can do small shifts well
  
  Cleo
  Female, 20s–30s
  Energy: Passionate, outspoken, emotionally immediate
  Cleo is driven by conviction and isn’t afraid to say what others won’t. She brings fire and urgency, often clashing with more restrained characters.
  - Casting notes:
    Needs strong presence and emotional availability
    Should feel contemporary and specific—not generic “angry”
    Quick shifts between humor and intensity
    Actor must listen actively—this role thrives on reaction
    Edmond
    Male, 50s–70s
    Energy: Observant, measured, quietly revealing
    Edmund often feels like the still center of the storm. He watches more than he speaks, but when he does, it lands. There’s depth and possible surprise beneath the surface.
    Casting notes:
    Requires restraint and confidence in stillness
    Strong subtext work—what’s not said matters
    Voice and presence should carry authority without force
    Ideal for a seasoned actor who trusts simplicity

This is an ensemble piece—chemistry matters more than any single standout

Rhythm is everything: looking for actors who listen and adjust in real time
Avoid caricature—grounded performances make the comedy land harder
Consider contrast: big vs. small performances, fast vs. still energy