2019 Season Performance Schedule


Over the River & Through the Woods…
5.4.19 - 5.19.19

By: Joe DiPietro

Directed by: Paula Keenan

Nick (Sean O’Shea) is a single, Italian-American guy from New Jersey. His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for—marketing executive—would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle, for a job, wonder his grandparents? Well, Frank (Stan Zawatsy), Aida (Kathleen Barney) , Nunzio (Ken Eastlack) and Emma (Marilyn Hilbert) do their level best, and that includes bringing to dinner the lovely—and single—Caitlin O'Hare (Shelley Gothard) as bait…we won't give the ending away here

Don’t Talk to the Actors July 5 - July 21st

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Directed by Scott Lilly

By Tom Dudzick
The best laid plans go awry when the cast and crew of a Broadway-bound play resort to manipulation, diva-like behavior, and chaotic abandon to get what they want. Fledgling playwright Jerry Przpezniak and his fiancee are a couple of Buffalo greenhorns suddenly swept up in the whirlwind of New York's theater scene when Jerry's play is optioned for the big money, ego-driven world of Broadway. It's a young playwright's dream, but the crazy characters and dilemmas they encounter are the things theatrical nightmares are made of.

Venus In Fur by David Ives
August 23 - September 8

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Directed by Anna Segreto

Thomas Novachek, a director/playwright, has suffered through a long day of abysmal auditions for his adaptation of the German sadomasochistic novel Venus in Furs, until Vanda, a crass and pushy actress, stumbles into his audition room. While Vanda shares the lead character’s name, she lacks her sophistication. However, when Thomas agrees to let Vanda read for the role, she displays a surprising understanding of the material. Working through the script with Thomas playing the masochistic male lead, the roleplay becomes intense, erotic, and less like acting. David Ives’ mesmerizing play explores themes of submission, domination, and power with a fast-paced, mutable language he is known for. Reality and pretend become blurred lines in Venus in Fur, and the question of “who’s on top” always has a different answer.

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Directed by Brett Marston

Directed by Brett Marston

Church & State is a fast-paced dramedy about faith, politics, and “The Twitter.”

It’s three days before Charles Whitmore’s Senate re-election and he’s decided to finally tell the public exactly what’s on his mind, no filter. What could possibly go wrong?

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Gladys, the elderly matriarch of the Green family, has run an art gallery in a small Greenwich Village hotel for many years. The management wants to replace her less-than-thriving gallery with a coffee shop. Always irascible but now increasingly erratic, Gladys is a cause of concern to her daughter, her son-in-law, and her grandson, from whose point of view this poignant memory play is told. A wacky and heartrending look at the effect of senility on a family, The Waverly Gallery was a success at New York’s Promenade Theatre, winning an Obie for legendary Eileen Heckart in the role of Gladys.

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Directed by Mike Scanlan

In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddy's daughter-in-law, wants to give him the news that she's finally become pregnant by Big Daddy's favorite son, Brick, but Brick won't cooperate in Maggie's plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son. By evening's end, Maggie's ingenuity, fortitude and passion will set things right, and Brick's love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggie's loving arms.