2019 Season Performance Schedule
Don’t Talk to the Actors July 5 - July 21st
Directed by Scott Lilly
By Tom Dudzick
The best laid plans go awry when the cast and crew of a Broadway-bound play resort to manipulation, diva-like behavior, and chaotic abandon to get what they want. Fledgling playwright Jerry Przpezniak and his fiancee are a couple of Buffalo greenhorns suddenly swept up in the whirlwind of New York's theater scene when Jerry's play is optioned for the big money, ego-driven world of Broadway. It's a young playwright's dream, but the crazy characters and dilemmas they encounter are the things theatrical nightmares are made of.
Venus In Fur by David Ives
August 23 - September 8
Directed by Anna Segreto
Starring Maddy Hayes & Steven Coe Desperate to find an actress to play the female lead in his adaptation of the classic tale of sadomasochism, Venus in Fur, a beleaguered playwright/director auditions a vulgar and equally desperate actress. Though utterly wrong for the sophisticated part, Vanda piques the playwright’s interest with her seductive talents and secretive manner. As the two work through the script, they blur the line between play and reality, entering into an increasingly serious game of submission and domination that only one of them can win.
A mysterious, funny and erotic drama, “Venus in Fur” invites “both carnal and cerebral excitement” (Village Voice).
Stand Up Comedy Night
Saturday, September 14th. Funny Fellas Comedy Propduction and The Studio Players presents Stand Up Comedy Night - 18 and over. Show starts at 8pm - Doors open at 7:30pm - Larry Venturino, John Charles & Christoper Cowles
Directed by Brett Marston
Directed by Brett Marston
Church & State is a fast-paced dramedy about faith, politics, and “The Twitter.”
It’s three days before Charles Whitmore’s Senate re-election and he’s decided to finally tell the public exactly what’s on his mind, no filter. What could possibly go wrong?
Directed by Mike Scanlan
In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddy's daughter-in-law, wants to give him the news that she's finally become pregnant by Big Daddy's favorite son, Brick, but Brick won't cooperate in Maggie's plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son. By evening's end, Maggie's ingenuity, fortitude and passion will set things right, and Brick's love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggie's loving arms.
Directed by Paula Keenan
Gladys, the elderly matriarch of the Green family, has run an art gallery in a small Greenwich Village hotel for many years. The management wants to replace her less-than-thriving gallery with a coffee shop. Always irascible but now increasingly erratic, Gladys is a cause of concern to her daughter, her son-in-law, and her grandson, from whose point of view this poignant memory play is told. A wacky and heartrending look at the effect of senility on a family, The Waverly Gallery was a success at New York’s Promenade Theatre, winning an Obie for legendary Eileen Heckart in the role of Gladys.